
Strangers
In Our Midst
Geri
Lipschultz
I tell people
only what I want them to know. Why
should they know my business? My
daughter-in-law sees me sitting here.
She sits down on the rocking chair and asks me am I okay.
"Sure,"
I tell her. "Why not?"
"It's
late. I thought you'd be sleeping
already."
"It's
hot," I say.
"Just try
to relax," she says. "The
attic fan is on."
"Okay."
She says I look
like I’m thinking. I just smile. She tells me my grandson, Billy, studied the
Asian culture in his university. He
learned that the Chinese don't express their feeling.
"Is that true?" she asks.
"My mother
never kissed me. My father never kissed
me. No one told me they loved me. The last time I ever saw my father, I was
eight years old. Not like here, kissy,
kissy."
Rachel - she has
a sense of humor. She gets a gleam in
her round eye, says, "Grampa must have had some kissy-kissy! You have five sons!"
But Grampa and
I, we don't have that kind of love. "Grampa, he saved my life,
Rachel," I say to her.
"I
know," she says. "Is that what
you are thinking about?"
"Not
especially."
"Don't you
think you ought to take off your hat, Mom?"
"You know
where I can catch the subway?"
"Tomorrow,
Stuart will drive you back to the city.
I'll tuck you in."
"No, thank
you."
Rachel yawns,
her hand with a jade bracelet covering her mouth. She
reaches over and takes my hat from my
head. Then she stretch-stretches her
body and places my hat on the far end of the couch.
She gets up, looks around, turns off the
light, says, "Good night, Mom.
Please try to sleep."
"Okay,"
I say. Soon as she gets up from the
rocking chair, a man comes and sits down.
He watches me. I try to close my
eyes, but then he climbs on top of me.
"Get
off," I say. I sit up again.
I reach for my hat, and then I pull myself
up. Everything is dark, except now there
are two men. I pick up my bag, and I
watch my step. I tell these men to leave
but they don't. They just look away. So,
I will go, then. I tell the dog to
shoosh, but he barks. The only one that
knows something is happening is the dog.
But who believes a dog? He barks
no matter what. He sees what I see, and
more. I go out the damn door.
I take my tiny steps. No railing,
so I’d better watch. That dog barks still. Nobody notices. They
think it’s a squirrel. Or a bunny.
They don't think Grandma.
Now,
outdoors. Dark. Usually
I'm afraid, but no more being afraid
for me. Somebody tries anything; old
lady has got her gun. I practice saying,
"I got gun. I got gun."
Even I believe
it.
"I got
gun."
I say it low,
scary-like, "I got gun."
It's Aurora's
toy, but I cover it in cotton, so it looks real.
Only use if
necessary.
I have got
food. Aurora gave it to me.
She must think I am a pig.
Another thing I
have, too. My secret.
I have got it deep in, sewed up.
I have never
liked to travel. One trip to
America. Almost sixty years ago. I sat in the park. Waited
for Grampa to come home from his
job. Just wait, all night.
I was not afraid then, either. Imagine
if I sat in the park now?
My son Stuart,
his wife is nice enough, but she's no daughter.
Grampa always said, too bad we have no daughter.
But I don’t need anyone to take care of me.
I got my nursing degree. I got
medals for service. I worked for the
Veteran's hospital. Thirty-five years. I retired – then it just happens Grampa gets
sick. For two years I took care of him.
I lost twenty-five pounds. Now I
have just gained three pounds. My
daughter-in-law, she's a good cook. She
learned from Grampa. Still, she's no
daughter.
I'm smart.
No one fools Grandma. I know what
they plan for me. I saw what happened in
the hospital, what
they did to the old people. My sons,
they have got my deed. I have asked for
it, and I can’t find it. It means they
have got it. It’s not right, that I
worked thirty-five years as a nurse, and they don't want me to live in
my
house. Now, the villains come to my
house. So, Stuart takes me here, to
Jersey. I'm gonna take it back from
those imps. I got my bag, and my Aurora
gun.
Otherwise they
will throw me in the hospital again. I
ask what is it come to that they experiment on the staff, now? They took off my panties.
For what?
I know I'm fine. They put the
needle in me, and my arm is still black and blue. They
let me soil myself, and then they took
away my nightclothes where I had put my wallet.
But no one tricks Grandma. I got
up and went through the basket of nightclothes.
I found my wallet with two hundred dollar bills.
A night worker, he slugged me, put me back in
my bed. That's why my arm is
bruised.
I had a million
tests. Every one of them came out
negative. They think I'm crazy, but it
turns out to be the drugs. They could
have killed me.
Aurora's
brother, Billy, he laughs at me. He
says, "Grandma, there's no one there."
I say,
"That is what you think."
And now, I have
got this gun.
It is dark, and
I am tired, but no sleep.
*
Aurora
I hear her
now. She told me not to tell, but still
I am knocking on my parents’ bedroom.
They do not answer. I am sure my
grandmother is not in her bed. I hear
the dogs. Both of them.
Even Hansel, the old stinker. Barking.
My grandmother told me that she wanted to leave.
I thought she was joking. She told
me not to tell anyone, not even my
mama. "Mama gets VERY angry,"
said Grandma. "Do NOT tell.
It is our secret." But now I don’t
know what to do. I sneaked
out of bed because I heard her, and now she’s not on the couch. I keep knocking, but they don’t even hear the
dogs. I know she's out there.
I'm afraid she will get hurt. I go
upstairs and tell Billy. He's my brother,
so he'll help me.
"Aurie,"
he says, his breath full of monkey gas.
"Aurie, what's the matter?
Why are you crying? Aurie, you're
going to wet my bed. Mom will think I
peed in my pants."
But even that
doesn't make me stop. Not even for a
second. I'm in that state where I think
I'm running out of breath. Billy lunges
out of bed and stands me up. Then he carries me close to his chest and
rubs my
back. Before I know it, I've told him
everything I promised not to tell.
Billy's
screaming now. We're at the back
door. It's so dark out you can't see
anything. He's calling, "Grandma,
Grandma." Finally, he turns on the
light, and we see her sitting there, on the deck. She
doesn't look up.
"She's not
even turning her head," Billy says.
"Go get Daddy."
"He's
sleeping," I, who have already tried and failed to do this, say.
"Tell him
that Grandma's on the loose, again."
Daddy hears me
now. He puts me in bed with Mama, and we
cuddle, close as can be, our spit and shadows all mixed up, and I'm
falling
asleep in her warm shadow.
I've got five
sons, but Stuart, he's the best. He is
always good, never gives me any trouble.
This guy, he looks like Stuart, but Stuart doesn't live here. He is in Jersey.
"Mother,"
he says, this man. He calls me Mother,
just like Stuart. "Come
inside."
"I don't
know you," I say. "I am not
going in your house. I will find my own
house."
"This is
your house, Mother," says this man.
"I
know. So why you do want to go in my
house?”
"It's my
house, too."
"Go
home," I say. "Leave me alone
or I call the cops." I am not
afraid. I hold onto my pocket book where
I have hidden Aurora’s gun, but it's not necessary.
Not yet. My eyes
trick me. That’s what they say. He looks like my son. But
I think I know my own house, thank
you. I say it to the man who looks like
my best son.
"Of course
you do," he says.
I see that he is
walking close to me. "I am not
afraid of you," I say.
"Mother,"
he says again, and then he grabs me. I know he wants my money, but I am
no
match for this man. I just hold still,
no fight. I wait for an opportunity to
take out Aurora’s gun.
"I gonna
have to get help," he says, this man.
He leaves, but I
prepare for when he comes back. Where
did I put Aurora’s gun? Ayi, I try to
get off the floor of this house. That
dog, he pushed me down. I yell for
Stuart. He will come.
He's good.
A doctor. He works hard. His wife is lazy. American,
that's why. Kids lazy, too.
Billy, he watches video all day. Aurora
is like Grandma. We are born in the year
of the Serpent. Strong.
Lucky. Nobody knows what we
think.
It's not that
she's heavy. In fact she's goddamn
light. But it creeps me out to pick her
up, even when I'm just helping my father.
So far, she hasn't resisted, just somehow, her passivity itself
feels
like a kind of resistance, makes it something I just don't want to do. As if I could refuse my father. God knows how
long she'll stay on the couch. They
oughtta leash her up. That's what mom says.
Mom's funny about this, but Dad's not.
He says, "Wonder if she'd be so funny if it were her
mother." And she says, "If it were my mother, she wouldn't be in our
house." And he says, "Your mother
had an easy life." So
it
goes. I wonder if they'll get a divorce
over this. They should have gotten
divorced years ago. I would have
divorced both of them. I mean I love
them and all, but they don't go together.
If I were to write a book, this is how it would begin. "My
parents
decided to get a legal separation the summer after my freshman year of
college,
when my grandmother came to stay with us."
Great. Just great.
I'm trying to
back to sleep, but I'm having trouble, so I go downstairs real quietly
because
I don't want to wake her up. I taught
myself how to walk like this when I was younger than Aurie, when I used
to
sneak past my parents' room when they were asleep or galloping. I call it galloping because that's what I
thought they were doing when I was little.
My parents are animals--that's why they don't get divorced so
easily, I
figure. Anyway, I was always stealing
cookies that my other grandmother would bring when she visited. She passed away seven years ago when Aurie
was just a toddler. All Aurie remembers of her is what we tell her,
endless
varieties of things Mom is forever planting in her brain.
I'd love to have one of those cookies
now. But no one can duplicate them
because she made them without a recipe, just a feel.
I'm an exact kind of guy, and I can't bear it
when things aren't precisely the way I expect them to be, the way I've
been led
to expect them, that is, and in that way I'm like the Teng side of the
family. My hidden temper I've also
inherited from them. Otherwise, I'm all
Goldsmith. I even look like her, my
mother. But not Aurie.
Aurie came straight from China, by way of the
Jews. Anyway, here I am, settling for a
piece of goddamn fruit, a nectarine that someone put into the
refrigerator
before it ripened. I'm chomping into its
icy interior, still looking for something better, when I feel a sudden
tap on
my bare back. I'm jumping out of my
skin, startled, and a scream escapes from my throat.
"What?
Grandma?"
"What
this?" she says.
"The
refrigerator, Grandma," I say stupidly.
"Are you hungry." I
look past those eyes which are caves.
She is carrying her two little bags, one on her shoulder,
stooped down
so that she's about at my chest. She is
looking plaintively at me. She has on
that white beret with the topknot. I take a quick gander at the clock. It's three A.M.
"I am going
home now," she says. "Can you
please tell me where I can find the subway?"
I take another
bite and swallow, and then I lead her back to the couch, which is
covered in
bedding. I twist on a lamp and point to
the clock on the mantle, which clearly tells its time, Roman numerals
and
all. "See how late it is,
Grandma," I say. "The subways
are not running now. Now you go to
sleep. Tomorrow you can go back to Queens.
Daddy will drive you. There are
no subways in New Jersey, Grandma."
"Oh,"
she says. She stands at the foot of the
couch with that vacant look, her whole body the letter C.
"Time to go
to sleep, Grandma," I say, exasperated.
"Okay,"
she says but has not made any effort to lie down or even drop her bags.
"Want me to
help you?"
"No, that's
okay," she says.
"Why aren't
you lying down?"
"Shhh,"
she says, her finger in front of her mouth.
"Don't
worry," I say. "Aurie and
Daddy are fast asleep. They sleep
soundly. Nothing wakes them."
She nods, and
then whispers, "Somebody is in the bed."
"There's no
one in the bed, Grandma."
"You don't
see a man there?"
"Where?" I
am looking all around the house.
"There,"
she says, pointing at the pillow on the couch which has been her bed
for the
better part of the summer.
"It's a
pillow," I say and make some mad attempt to stamp out the hallucination
with the palm of my hand, the same inane thing I've seen my father do. "See? It's nothing." I've
never been so convincing.
Somehow I get
her to put her bags down, remove her hat and lie down.
I pile three
blankets on top of her, even as she tells me to stop.
I figure three blankets probably weigh more
than she does. They might hold her down
until morning. Almost as good as a
leash, I'm thinking, sadist that I am. I
give her a kiss good night, planting a little one on her smooth, cool
cheeks,
which have, I'm sorry to say, a wretched smell.
"Goodnight,
Grandma."
"Too
hot," she cries, but I pretend not to hear. I
turn off all the lights but the one in the
hallway, which leads to our one bathroom.
As I march up the stairs, I pray to all the eastern and western
gods
that my grandmother will not have to pee.
I see them, but
I don't say anything. My
daughter-in-law, she told me to pretend they're not here. But how
would
she feel, to sleep with a strange man on top of her? I don't dare close
my eyes
with that villain in the rocking chair.
Why does he keep staring at me?
Five people looking in the window.
But the dogs do not bark. Where
is he now? Oh, there he is, snoring on floor.
The other dog is upstairs with Billy.
He only barks if other one does.
Whoever thought Grandma would live with dogs in the house? Well, it's not my house. I
tell Stuart I feel like a chicken without a
house when I am here. Stuart says his
house is my house. My house in Queens is
lucky. It just happens that I'm alone
now. It has been three years,
almost. Can you believe it?
How can I sleep
with so many blankets. I reach inside to
make sure my wallet is in my pocket, then reach back out to pull off
one
layer. Hard to move my leg.
It feels like I'm crushing to death. Slowly,
I kick- kick covers off, and sit
up. It's cooler that way.
I wonder what time is it. Still a
little dark out. I get up slowly, little
by little, and step
by step to the bathroom. Knock- knock-
knock, then go in and do my business. I
turn the handle but the door jams.
Grandma, pull! I pull- pull-
pull. Then push-push-push.
Try again, pull- pull- pull - then push-
push -- OH.
Big sound, like
a tree falling, crunch of bones. They're
mine. I fall. If
I cry, they will take me to the hospital. So
no sound comes out from me. Oh, it hurts.
But I am fine. I move fingers. I move toes.
Fine. Hear steps.
Uh-oh.
Someone is going to find me.
Lucky, I got my wallet right here.
All my identification.
Lucky, just
Aurora.
"I am fine,
Aurora. Pick me up."
She tries, but
then she falls. She cries.
"You hurt?" I ask. But she just
cries more.
Then Rachel
stands like a tower over us. My
daughter-in-law is quite tall.
"What
happened?" she wants to know.
I smile. "I
am fine."
Aurora climbs
into her arms, whimpering. She is okay,
too, says her mom.
She tells Aurora
to go into the bedroom, and she asks me if it is okay to pick me up. She tells me she remembers I am a nurse, so I
know how bad it is to move a patient with broken bones.
She walks me slowly to my bed.
"Want me to
wake Stuart?" she asks.
"No, he
asks too many questions. If he were
here, I would still be on the floor."
"Mom,"
she says. "Why are Aurora's toys in your bag?"
"Probably
she was playing," I say. I look at
her hands going through my things.
"What do you think you are doing?"
"I should
probably do your laundry," she says, "before Stuart takes you back."
"I don't
need you to do anything."
"What's
this - food?"
I don't say
anything.
"How long
has this been here?"
"Aurora,"
I say. "We are going on a
picnic."
"Oh,
really?" She speaks with a sarcastic tone. Then
she takes the food in her hand but leaves
the toy gun and says, "Please, mom, get some sleep, will you?"
"I am
wishing the same thing," I say quietly, but she is out of the room,
already.
Daddy
smells. He makes funny sounds in his
sleep. Percussion, Mama says.
Sometimes I go back to my own bed when she
gets out of bed first. They only let me
sleep with them when I get upset, now.
It used to be that my bed was in their room.
Then Billy moved up to the attic. And
then he went to college. This summer he's
back upstairs, and I'm mostly
in my own room, except when I get upset.
Even then, sometimes, I'm in my own room, which used to be a
boy's room,
until they painted it pink with purple and white trim, all prettied up
for me. I'm not shamed to say that
I'm a girly kind
of girl, the kind of girl who likes ballet and dolls, but I am crazy
about
baseball, and tennis, and cowgirls. Oh,
and my violin. I love my violin, but
basically, I like to pretend.
Right now I'm
lying in my own bed thinking about sleeping.
I'm holding onto my doll and asking for the fairies to stay in
my
dreams, even though it's early morning and they probably have things to
do. There's a pale yellow light behind
my lace curtains, and if I weren't so tired, I'd just get up and turn
on the
light and close my door and play school.
I'm pretty tired, though. I can't
really hear what Mama is saying to Grandma, but whatever it is, I hope
she
stays in that bed for a while.
"Hi
Mom," I say, because suddenly there she is right next to me in my bed.
"Are you
okay, Aurora?"
"Yes,"
I say, and I grab her. "Stay!"
"I'll stay
for just a while," she says.
And we snuggle
into my best peace.
Stuart E.
Teng. The E stands for a famous emperor
who saved the world from darkness and floods, the latter by digging
ditches. My brothers were emperors, too.
They saved
the world, too, from monsters and famine and disease.
In one version of a story we are not
permitted to tell even our own wives, both my father and mother were
orphans. That's why they imposed
world-saving destinies upon their babies.
By the way, Teng is a creation, a name worth thousands, what
those in
the know call a paper-name. They don't
remember their real last names, and their adopted names were stashed
for the
name Teng, which means "hurt," but it saved their lives.
My mother survives, because the Chinese woman
learns quickly that her only hope is in outliving the superior females,
whereas
the Chinese male has to make the best of it while he's young and adored. As for my mother, she persists, but she's
unraveling, and her skein of yarn seems endless. Haldol, Risperdol,
Zoloft,
Selexa - the poetry of her litany. My
father became an unsung hero in America, an inventor he was. And now he's beastly dead, as they said about
Stephen Dedalus's mother. I can relate
to Stephen. In fact, I wanted to name my
first born son Stephen, but I acquiesced, and he became William, after
the
patriarch in my wife's family.
"I don't
want an artsy-poet for a son," she said.
"I want a man, a solid man."
"Why did
you marry me, then," I asked. It
was not the time to ask such a question.
She was erupting.
"You were
sexy, Stuart," she screamed, and out popped William.
It's a question
I always ask her. Again and again. But now I have the better sense to keep it to
myself. When I ask, the only one hearing
it is my artsy-poet self. I do not
resemble the stereotypical Chinese male, which greatly disappointed my
math and
science teachers. I'm a useless dreamer.
In my mind, I
provide the answer, "And you are still
sexy. Yes, my love. Yes. Sexy is all
you need be for me."
Ah, she's back
again, my wife. I was in the middle of
this terrible dream, one in a series. I
call them my divorce-dreams. In them, we
are getting a divorce, but we never seem to split.
The truth is someone else's dream. How
many men would die to have a wife who
keeps them around for sex. That's what
she says - that's the real part. So, now
she's back. I am thinking hot thoughts, which is all I have to do with
my wife,
because no matter what, no matter what we have been through, childbirth
and the
subsequent sewing up of her vagina two times, the fights, the
accusations, the
horrible names she's coined for each member of my illustrious family -
no
matter about any of this, I love my wife.
No matter what time of day or night it is, I can imagine myself
into
being, so to speak. This is what I do when Aurora is not in the room,
which is
the only time Rachel locks the door.
When Rachel locks the door, all hell can break loose in this
house. But when she locks the door, it's
serious. It means she wants to talk to
me, or she wants something else that's even more important than talking.
My wife is an
iconoclast in every way. I don't need to
be a participant in any discussion to know this. All I need to do is
listen -
to my brothers, my friends - you name it.
How many women in this world prefer sex to talk?
"Make your
choice," my wife says, after she locks the door, examining us both for
our
readiness. Then she kisses me, and we
are both one horse instead of two, and we are racing to the sky, and
now we are
turning into fire itself, but we are both closed eyes, soft breaths. One big muscle, then we are water, floating,
sinking, and diving.
I am not the
first to open my eyes. I am
self-conscious about the thick mud that I share with every other Asian
man on
this planet. It would be hard to find something poetic to say about the
color
of my eyes, although she has told me that stars shine in night skies. Hers, however, are the Caribbean, the
Mediterranean,
and the teal green seas of the Riviera.
I swim into that double-ocean of her soul, and still, I feel
warm,
supported. Ah, a rock.
She speaks.
"I will not
be one of two women manning a house."
"But my
mother can barely run her body," I protest. "You
must take pity on her."
"How long
is this to persist?" she says rhetorically.
How can we
possibly know? All tests reveal she is
perfectly healthy. "We don't know."
"Could be
my entire life," she says. "I
want a divorce."
Do not let it be
thought that we are physically parted.
We are preparing for yet another flight.
Like athletes, like warrior-lovers, we are moving, wrestling,
breathing. Underneath the blanket of our
skins, we are gods, creating and destroying the world.
No divorce,
please, I would like to beg. Instead, I
say, "I understand."
I lie here on
their couch, listen to sounds a house makes.
My house in Queens, it's a lucky house.
You don't hear a peep, just when the heat comes on.
But now summer, no heat, except the natural
one. Sounds make circles in my ears,
make me see things, even when my eyes are closed. I
reach down, feel where I sewed my money -
still there. Then I open my eyes, see
the people scurrying away. They think I
don't catch them. Nobody can hide from
me. Look at that dog like a rug all
spread out on the floor. He's
panting. It's hot. I
am panting, too. Everybody in house is
panting. The sound I hear.
Big sound.
Not the sound I make, ever.
Except what Stuart and his brothers say about my nightmares. That I sound like a man. A
man comes out of my voice. I feel scared. That sound makes me uncomfortable. I get up, take a walk, and knock on the
door.
"Excuse
me," I say.
Still I hear
panting. Sounds like somebody being
killed. "HELP!"
Nothing, just
panting. "HELP!" I say,
again.
"HELP,
HELP, HELP, HELP, HELP." But nobody
hears me.
I know what to
do. I go to the telephone.
I call the police. It's the same
everywhere. Nine. One.
One.
"Emergency,"
they say.
"HELP,"
I say.
"What's the
matter," they say.
"Somebody
being killed here," I yell.
"Please come fast."
They ask for
address. "Jersey," I say.
"Where
Jersey," they say.
"It's next
to Queens," I say. "First the
Triborough, then over the George Washington Bridge.
That's all I know."
"We need
more than that," they say.
"You are no
help," I say, and then I put the phone down. I
still hear panting. I go back to the
couch, and I sit down. I take time to
think. Then I go back to the bedroom door. Knock, knock.
No answer. This time, I try the
door handle, but the door is locked.
Somebody is taking a long time killing them.
I pick up the
phone, call the police again. This time,
they say they're coming. They'll be here
soon. Promise.
This happened
before in Queens. I remember one time, a hundred people in my house. I don't have enough beds in my house for
them. I couldn’t get them to leave. "Don't have enough beds," I
say. "Get out!" But
they stayed, even though I said,
"What you think I am running here, a boarding-house?"
They looked at me but didn’t move. The
little girl, she is not a problem. She
likes to sleep on the couch. But the rest.
How can I sleep with them in my house?
So I called the police, and they came.
It's hot, but I
put on my little robe for when the police come.
Why are they not here yet? Maybe
they are not coming. I find the switch
to the big lamp now, put lights on. The
dog looks at me. It's quiet in here
now. I go to the bedroom door. I hold my breath. Knock-
knock.
"What is
it?" That is Rachel's voice.
"Mother? You
okay?" says Stuart.
"Sure,"
I say. "What about you?"
"Please get
some sleep, Mom," says my daughter in law.
"What?"
I say. "You are not dead?
I thought someone is in there with you."
Suddenly the
dogs bark. Big knock on door.
They are here.
"Please
open the door," I say.
"Stuart,
what the hell is going on," says Rachel.
Stuart, he opens
the door. He is wearing just
underwear.
The dog is going
crazy, barking, jumping up and down.
"Stop,"
I tell the dog. "It is all right
now."
He doesn't
listen, though. He keeps on barking and
jumping, his little paw scratching the wood door, probably making a big
scratch-mark. Stuart goes to the door. He goes outside, closes the door behind
him. The dog is barking like crazy. Even the old dog comes down, and he barks,
too. Whole family up. I see a police car
outside with red lights going round and round.
Sirens.
"Wow,"
says Billy. "What did you do,
Grandma?"
"I called
the police," I say hush- hush.
"You called
the police?" he repeats after me.
"Yes,"
I say.
"Why?"
he says.
"Scared,"
I say. "Too many people in the
house."
"You called
the police?" Little Aurora, her eyes open up wide."
Her voice like a frog. She says,
"Uh-oh, Grandma. Somebody gonna put a
leash on you."
"Who says
that?" I ask her.
"Grandma,"
says Billy. He walks me to the couch,
and I sit down. "You shouldn't have
called the police. You should have
awakened
mom and dad."
"I
try," I say. "But ---never
mind."
Big sound of
Stuart coming back through the door. He
slams the door. His face is red. He is faht-hee.
Looks straight at me, the one who gained
sixty pounds with him in my belly and carried him so much I get
curvature of
the spine, and now he has this big house in Jersey and sends his big
boy to a
fancy college. I watch that sweet face
of my best boy get all twist-up ugly. He
is angry like a kid. Like Grampa,
sometimes. Unreasonable.
He stands over me look like he is gonna hit
me. Is this what we come to America
for? I ask it to Grampa.
The kids are quiet. Nobody says a
word. Stuart looks around.
I wonder what he is looking for. Maybe
he is gonna throw a chair at me. Where is
Aurora's gun? Oh, in my bag.
I reach down and grab. I remember
because I practiced it. I look at the man
who resembles my son
Stuart, and I say, "I got gun."
Scary-like: "I got gun."